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A journalist's profile, stories and career in the field of journalism.
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Janet
E. Bardon.
May
4, 2002
Philip Moscovitch
Freelance Writer
Glen Margaret, Nova Scotia
writer@moscovitch.com
I
never really chose to become a journalist. I chose to become a writer,
then wound up falling into journalism almost inadvertently.
Early
on, I had aspirations of becoming a literary writer. I did a creative
writing degree at Concordia but then went on to an MA in the history
and philosophy of religion, and briefly considered an academic career.
Meanwhile,
during my undergrad years, I had started freelancing. A friend (Montreal
Gazette writer Andy Riga, who was then a journalism student)
got me involved with the student paper, and taught me how to write a
news story. My first had the scintillating headline, "Slovenian
Youth Journal Banned."
As
soon as I sold my first story (to the Concordia public relations paper
Thursday Report) I was hooked. Suddenly, writing didn't just
mean struggling to publish poems that hardly anyone would read. It meant
money, and it meant getting to meet all kinds of interesting people.
After
finishing my MA, I got a job as a writer/editor in marketing at the
National Film Board. For the next few years, I worked full-time while
continuing to build my freelance portfolio but I realized I just wasn't
cut-out for 9 to 5 work. I quit the job, moved with my wife and kids
to a rural area outside of Halifax, and began to freelance full-time.
While
I do journalism, I'm not a journalist exclusively. I also write web
sites and marketing and promotional materials for companies; I research
and write documentary films; I translate from French to English; and
I write the "Daisy Dreamer" comic strip for Chickadee
magazine (aimed at kids between six and nine years old).
The
thing I love most about my work is that it immerses me in new worlds
all the time. When I was working on the documentary series Dogs With
Jobs, I got to spend time talking to women at a federal penitentiary
in Nova Scotia, and I learned how to train a bomb-sniffing dog. Writing
narration for Lost (which aired on CBC-TV's, The Nature of Things)
I learned that there is a whole science to finding people who get lost
in the woods, and that Nova Scotians are world leaders in that science.
The
biggest challenges for freelancers these days are money and maintaining
control of copyright. So many magazines want your copyright now or,
if not copyright, then they want so many rights that copyright bcomes
nearly meaningless. Resist their efforts. If you sign over copyright
to a story it's gone forever. Forget about ever re-selling the piece,
or even using it in a book you've written.
That
said, writing is a great life. Thanks to communications technology,
you can live in a rural area while writing for clients (and interviewing
sources) just about anywhere in the world.